Fags, butts, fried eggs, toilet vaginas, and that infamous self-portrait with fried eggs. With an image of Sarah Lucas smoking a cigarette on the cover, this monograph surveys the legendary YBA’s work since 1989, navigating three decades of her work, which mixes self-image and dry British humour to confront notions of sex, class and gender head-on. From her absurdist soft sculptures to her confrontational self-portraits, Lucas is one of Britain’s most significant and playful contemporary artists.