The accompanying monograph for Wolfgang Tillmans, a 2010 eponymous exhibition at the Serpentine Gallery that explored the complexities of photographic image-making and exhibition installation. The show’s boundary-pushing work reflected on Tillmans’s acute sensitivity to contemporary society and politics, his ongoing fascination with colour, and his conceptual engagement with the technical processes of photography. Alongside colour imagery – including the artist’s inkjet printer experiments – the book also features texts by Julia Peyton-Jones, Hans Ulrich Obrist, Michael Bracewell, Josef Strau, and an in-depth interview with Tillmans.